That’s the case with this Death of a Salesman, which includes some of the best interpretations of Miller’s great work that have ever evanesced on a stage. Often cameras are not placed only at the back of the auditorium but also move in much farther in for unabashed close-ups. They are not always straightforward recordings of productions. The development is indisputably welcome, although the point must be made that the entries aren’t necessarily strict representations of the conventional theater-going experience. The palpable memories of what has been excellent in the past are oases for already convinced theater lovers as well as susceptible newcomers. This is another example of how theater people are increasingly bringing valuable goods to audiences denied traditional access by the cruel pandemic. Now the Goodman, in collaboration with Playbill, is streaming that turn-of-the-century take. The production transferred to Broadway in 1999 and was subsequently filmed for four 2001 Showtime airings, as brought to the home screen by Kirk Browning. This was in recognition of the fiftieth anniversary of the tragedy’s opening. In 1998 Robert Falls directed a powerful, physically-emotive revival for Chicago’s Goodman Theatre. Take Arthur Miller’s iconic Death of a Salesman, for example. Brian Dennehy and Elizabeth Franz in Death of a Salesman.
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